Insane Patient, the rappor of Guédiawaye Mars 2006 Malal Almamy Talla of its true name n'est not so insane qu'il wants to let it well believe! C'est nevertheless insane diplomé d'une licence d'anglais with l University of Dakar!! The concept "foumalade" appeared in the first album of the BAT'HAILLONS ARMOUR titrated "2guntaan", in which Malal Almamy Talla interpreted the title "foumalade". Since, this nickname sticks to him with the skin and c'est become its name d artist. This title, Tubes l'année 2003, with revealed Malal Almamy Talla with the public. Then, patient, really?, with you to judge..... Foumalade was very early in contact with l'art. It s'est initiated as of the low age with l imitation before turning to the dance with in particular a passage to " Oscar of the holidays " with the " New Star Children " where it evolved/moved already with Nkrumah. C'est in the middle of the years 1990 qu'il integrated the movement hip-hop with " African Black Roots " who became the BAT'HAILLONS ARMOUR in 1998. During all this Foumalade time represented the disadvantaged layers everywhere, the poor, left for account, them without voice, and particularly the mental patients of which he wants to be the spokesman and d'où he draws a concept jusqu'alors ignored. Aujourd'hui Foumalade can be moulted perfectly in the character qu'il incarnates, he is a rappor who makes the satire of the company in which he lives by presenting with irony the latter with a surprising fidelity and a verb exquisite. All things considered, a large rappor with the small size!
Insane Patient, the rappor of Guédiawaye Mars 2006 Malal Almamy Talla of its true name n'est not so insane qu'il wants to let it well believe! C'est nevertheless insane diplomé d'une licence d'anglais with l University of Dakar!! The concept "foumalade" appeared in the first album of the BAT'HAILLONS ARMOUR titrated "2guntaan", in which Malal Almamy Talla interpreted the title "foumalade". Since, this nickname sticks to him with the skin and c'est become its name d artist. This title, Tubes l'année 2003, with revealed Malal Almamy Talla with the public. Then, patient, really?, with you to judge..... Foumalade was very early in contact with l'art. It s'est initiated as of the low age with l imitation before turning to the dance with in particular a passage to " Oscar of the holidays " with the " New Star Children " where it evolved/moved already with Nkrumah. C'est in the middle of the years 1990 qu'il integrated the movement hip-hop with " African Black Roots " who became the BAT'HAILLONS ARMOUR in 1998. During all this Foumalade time represented the disadvantaged layers everywhere, the poor, left for account, them without voice, and particularly the mental patients of which he wants to be the spokesman and d'où he draws a concept jusqu'alors ignored. Aujourd'hui Foumalade can be moulted perfectly in the character qu'il incarnates, he is a rappor who makes the satire of the company in which he lives by presenting with irony the latter with a surprising fidelity and a verb exquisite. All things considered, a large rappor with the small size!